
<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/">
  <dc:subject xml:lang="srp">Ključne riječi: komparativni pristup, metodika nastave književnosti, poezija za djecu, poezija za odrasle, suvremena poezija, smrt</dc:subject>
  <dc:subject xml:lang="eng">Keywords: comparative approach, contemporary poetry, death, poetry for children, teaching methodology</dc:subject>
  <dc:date>2025</dc:date>
  <dc:source>Libri et liberi</dc:source>
  <dc:source>volume: 14</dc:source>
  <dc:source>number: 2</dc:source>
  <dc:source>startpage: 265</dc:source>
  <dc:source>endpage: 286</dc:source>
  <dc:rights>All rights reserved</dc:rights>
  <dc:type>info:eu-repo/semantics/article</dc:type>
  <dc:language>srp</dc:language>
  <dc:identifier>https://phaidrabg.bg.ac.rs/o:37461</dc:identifier>
  <dc:identifier>doi:10.21066/carcl.libri.14.2.2</dc:identifier>
  <dc:identifier>ISSN: 1848-3488</dc:identifier>
  <dc:description xml:lang="srp">U radu se komparativnom analizom pjesama za djecu i odrasle Branka
Stevanovića istražuju načini oblikovanja pjesničkoga teksta i mogućnosti
njegove čitateljske recepcije. Analizi su podvrgnute dvije zajedničke odlike
Stevanovićeva opusa za djecu i stvaralaštva za odrasle: prisutnost tematsko‑
motivskoga kompleksa smrti i stvaralačko oblikovanje intertekstualnih
relacija. Upravo na tim razinama realizacije pjesničkoga teksta uočava se na
koji način autor vidi svojega implicitnoga čitatelja i koje sve strategije koristi
u procesu pisanja ne bi li mu prilagodio vlastito pjesničko stvaralaštvo.
U razmatranjima se kao jedan od glavnih uvida izdvaja zaključak da je
tematizacija smrti kompleksnija na mnogim razinama u poeziji za odrasle,
a da je u poeziji za djecu dominantniji poziv na kritičku recepciju i diskusiju
o intertekstualnim vezama.
</dc:description>
  <dc:description xml:lang="srp">Through a comparative analysis of Branko Stevanović&apos;s poems for children and adults, this
paper examines the ways the poetic text is shaped and how it can be received by readers. Two
common features of Stevanović&apos;s work for children and his work for adults are the subject of
this analysis: the presence of the thematic complex of death and the creative transformation of intertextual relations. It is precisely at these levels of the poetic text that one can observe
how the author perceives his implicit reader and what strategies he uses in the writing
process to adapt his work to them. One of the main insights to emerge from the analyses
is that the thematisation of death is more complex in poetry for adults, while in poetry for
children the call for critical reception of intertextual connections is more pronounced. These
insights have the potential to serve as methodological material for studying the work of
Branko Stevanović in an educational context.
</dc:description>
  <dc:format>application/pdf</dc:format>
  <dc:format>180937 bytes</dc:format>
  <dc:publisher>Hrvatska udruga istraživača dječje književnosti</dc:publisher>
  <dc:creator id="https://orcid.org/0000-0002-9442-9435">Вукомановић Растегорац, Владимир</dc:creator>
  <dc:creator id="https://orcid.org/0000‑0002‑1743‑2243">Мићић, Вишња</dc:creator>
  <dc:creator id="https://orcid.org/0000‑0002‑5548‑8432">Марковић, Бојан</dc:creator>
  <dc:title xml:lang="srp">Stih za djecu i stih za odrasle Branka Stevanovića – tanatološki, intertekstualni i metodički aspekti</dc:title>
  <dc:title xml:lang="eng">Verse for Children and Verse for Adults by Branko Stevanović: Thanatological, Intertextual, and Didactic Aspects</dc:title>
</oai_dc:dc>
