
<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/">
  <dc:title xml:lang="srp">KULTURA STRAHA I ESTETIZACIJA RATA: VEŠTAČKA INTELIGENCIJA I PERCEPCIJA SUKOBA</dc:title>
  <dc:title xml:lang="eng">CULTURE OF FEAR AND AESTHETICIZATION OF WAR: ARTIFICIAL INTELLIGENCE AND PERCEPTION OF CONFLICT</dc:title>
  <dc:language>srp</dc:language>
  <dc:source>Zbornik radova Fakulteta dramskih umetnostiAnthology of essays by Faculty of dramatic arts</dc:source>
  <dc:source>number: 48</dc:source>
  <dc:source>startpage: 127</dc:source>
  <dc:source>endpage: 143</dc:source>
  <dc:description xml:lang="srp">Apstrakt
Tekst preispituje ulogu veštačke inteligencije (AI) u globalnom savremenom
ratovanju, kao i njen uticaj na medijske reprezentacije i percepcije masa. U
svetlu preplitanja industrija – tehnološka, vojna, sigurnosna, medijska i industrija
zabave – zajedno s dinamikom procesa poput indukovanja kulture
straha i estetizacije rata, fokusira se na to kako AI, kao sistem zasnovan na
logičkom razumu, ali lišen ljudskog uma, oblikuje eru totalitarizma vođenog
veštačkom inteligencijom. Imajući u vidu da je strah od nepoznatog jedan
od mehanizama unutrašnje kontrole i legitimizacije totalitarne vlasti, razmatraju
se etičke i društveno-političke posledice pomenutih procesa sa stanovišta
Kritičke teorije društva i teorije totalitarizma, u kontekstu digitalne
komodifikacije i cenzure.</dc:description>
  <dc:description xml:lang="eng">Abstract
The text reexamines the role of Artificial Intelligence (AI) in modern warfare
on a global scale and its influence on media representations and public
perception. It analyzes the interlinked sectors of technology, the military, security,
mass media, and entertainment, as well as the dynamics of processes
such as the cultivation of a culture of fear and the aestheticization of war.
Particular attention is given to how AI, as a system based on logical reasoning
and functioning without a human mind, contributes to the shaping of a
totalitarian, AI-driven era. Acknowledging that fear of the unknown is often
employed to legitimize totalitarian governance and strict mechanisms of
control, the text adopts a perspective informed by Critical Theory of Society
and the Theory of Totalitarianism, considering the ethical and socio-political
consequences of these processes within the broader context of digital commodification
and censorship.</dc:description>
  <dc:publisher>Fakultet dramskih umetnosti, Institut za pozorište, film, radio i televiziju, Beograd</dc:publisher>
  <dc:date>2025</dc:date>
  <dc:creator>Pjević, Andrea</dc:creator>
  <dc:format>application/pdf</dc:format>
  <dc:format>195160 bytes</dc:format>
  <dc:identifier>https://phaidrabg.bg.ac.rs/o:37364</dc:identifier>
  <dc:identifier>cobiss:182621705</dc:identifier>
  <dc:identifier>ISSN: 1450-5681</dc:identifier>
  <dc:rights>All rights reserved</dc:rights>
  <dc:subject xml:lang="srp">Ključne reči Veštačka inteligencija, totalitarizam, kultura straha, estetizacija, umetnost</dc:subject>
  <dc:subject xml:lang="eng">Key words artificial intelligence, totalitarianism, culture of fear, aestheticism, art</dc:subject>
  <dc:type>info:eu-repo/semantics/article</dc:type>
</oai_dc:dc>