
<ns0:uwmetadata xmlns:ns0="http://phaidra.univie.ac.at/XML/metadata/V1.0" xmlns:ns1="http://phaidra.univie.ac.at/XML/metadata/lom/V1.0" xmlns:ns10="http://phaidra.univie.ac.at/XML/metadata/provenience/V1.0" xmlns:ns11="http://phaidra.univie.ac.at/XML/metadata/provenience/V1.0/entity" xmlns:ns12="http://phaidra.univie.ac.at/XML/metadata/digitalbook/V1.0" xmlns:ns13="http://phaidra.univie.ac.at/XML/metadata/etheses/V1.0" xmlns:ns2="http://phaidra.univie.ac.at/XML/metadata/extended/V1.0" xmlns:ns3="http://phaidra.univie.ac.at/XML/metadata/lom/V1.0/entity" xmlns:ns4="http://phaidra.univie.ac.at/XML/metadata/lom/V1.0/requirement" xmlns:ns5="http://phaidra.univie.ac.at/XML/metadata/lom/V1.0/educational" xmlns:ns6="http://phaidra.univie.ac.at/XML/metadata/lom/V1.0/annotation" xmlns:ns7="http://phaidra.univie.ac.at/XML/metadata/lom/V1.0/classification" xmlns:ns8="http://phaidra.univie.ac.at/XML/metadata/lom/V1.0/organization" xmlns:ns9="http://phaidra.univie.ac.at/XML/metadata/histkult/V1.0">
  <ns1:general>
    <ns1:identifier>o:36187</ns1:identifier>
    <ns1:title language="sr">Medijski putopis - Latinska Amerika</ns1:title>
    <ns1:title language="en">Media travels - Latin America</ns1:title>
    <ns1:language>sr</ns1:language>
    <ns1:description language="sr">Mediji Latinske Amerike u mnogome uspevaju da zadrže regionalnu različitost
uprkos sve prisutnijoj konkurenciji globalnih medijskih kompanija. Većina
medija se nalazi u privatnom vlasništvu bogatih porodica – poslovnih grupa
koje po sebi čine konglomerate u oblasti izdavaštva, radija, televizije i Interneta.
Uprkos činjenici da su neke od ovih grupa kupile postojeće ili zasnovale nove
medije u drugim zemljama Latinske Amerike, vlasništvo nad medijima je
uglavnom ograničeno državnim teritorijama. Dominantne medijske grupe
su najčešće u veoma bliskoj vezi sa vladajućim režimom. Međutim, u nekim
zemljama je ovakva čvrsta povezanost u opadanju zahvaljujući podjednako
političkoj i medijskoj konkurenciji.</ns1:description>
    <ns1:description language="en">Overall, television is the mass medium of the era in South America. While
more people have access to radio, television consumes more of the audience`s
time, much more of the advertisers` budgets, and television networks are widely
thought to have the most cultural, economic and political power of all media.
Brazil has been characterized in its own media as the „country of television“
because the television audience is so large and because the medium is perceived
to have a great impact. While a large majority of South Americans either can
afford a television set or have communal access to one, many, if not most of the
people, are too poor to have many other leisure options, which is why they watch
television so much.
Language and culture limit access to television and print media in some
countries. In the Andean region, significant population minorities still speak
only indigenous languages. While local radio stations often serve such language
groups, major print media and television networks do not. Although radio still
dominates some rural areas as the main medium, most small town and rural
audiences are rapidly gaining access to television, by satellite dish if not by local
broadcast. Television is more centralized and entertainment oriented than
radio. Latin American television tends to be dominated by a few large networks,
such as TV Globo in Brazil, Teletrece in Chile, Televisa in Mexico or Venevision
in Venezuela. These networks are usually owned by family groups which also
own other media. Television content is dominated by locally or regionally
produced versions of popular global genres: soap operas, variety shows, sports,
news, music, reality shows, sitcoms and talk sows.
Most Latin American countries have developed two or three commercial
television networks and often a government or educational channel, although
the latter stations are usually underfunded and tend to produce relatively
little. Television networks have tended to dominate the landscape because of
the high cost of production, which require the economies of scale of central
program production and network distribution. Commercial television has also
developed because it has been funded strongly by advertisers who wish to reach
the mass audience that television provides. Television in Latin America has
become known for several characteristic program genres: telenovelas (prime
time serials), live variety shows, live regional music, and solo and ensemble
comedies.</ns1:description>
    <ns1:keyword language="sr">Latinska Amerika, mediji, komercijalizacija, državna kontrola</ns1:keyword>
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  <ns1:lifecycle>
    <ns1:upload_date>2025-05-21T08:51:53.558Z</ns1:upload_date>
    <ns1:status>44</ns1:status>
    <ns2:peer_reviewed>yes</ns2:peer_reviewed>
    <ns1:contribute seq="0">
      <ns1:role>46</ns1:role>
      <ns1:entity seq="0">
        <ns3:firstname>Vanja </ns3:firstname>
        <ns3:lastname>Šibalić</ns3:lastname>
        <ns3:institution>Fakultet dramskih umetnosti </ns3:institution>
        <ns3:conor>11819111</ns3:conor>
        <ns3:orcid>0000-0002-5109-3476</ns3:orcid>
      </ns1:entity>
    </ns1:contribute>
  </ns1:lifecycle>
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    <ns1:size>184176</ns1:size>
    <ns1:location>https://phaidrabg.bg.ac.rs/o:36187</ns1:location>
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    <ns1:cost>no</ns1:cost>
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  <ns1:classification>
    <ns1:purpose>70</ns1:purpose>
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    <ns8:hoschtyp>92000001</ns8:hoschtyp>
    <ns8:orgassignment>
      <ns8:faculty>111A01</ns8:faculty>
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  <ns12:digitalbook>
    <ns12:name_magazine language="sr">Zbornik radova Fakulteta dramskih umetnosti</ns12:name_magazine>
    <ns12:booklet>11-12</ns12:booklet>
    <ns12:from_page>235</ns12:from_page>
    <ns12:to_page>247</ns12:to_page>
    <ns12:publisherlocation>Bulevar umetnosti, Novi Beograd</ns12:publisherlocation>
    <ns12:publisher>Fakultet dramskih umetnosti, Institut za pozorište, film, radio i televiziju</ns12:publisher>
    <ns12:releaseyear>2007</ns12:releaseyear>
  </ns12:digitalbook>
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