
<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/">
  <dc:language>srp</dc:language>
  <dc:publisher>Fakultet dramskih umetnosti u Beogradu, Institut za pozorište, film, radio i televiziju</dc:publisher>
  <dc:rights>All rights reserved</dc:rights>
  <dc:subject xml:lang="srp">Ključne reči Bitef, festival, izložbe, muzeološka recepcija, ekstremi Bitefa</dc:subject>
  <dc:format>application/pdf</dc:format>
  <dc:format>269108 bytes</dc:format>
  <dc:type>info:eu-repo/semantics/article</dc:type>
  <dc:coverage xml:lang="eng">Keywords BITEF, festival, exhibitions, museum reception, BITEF’s extremes</dc:coverage>
  <dc:date>2024</dc:date>
  <dc:title xml:lang="srp">IZLOŽBENA AKTIVNOST O BITEFU</dc:title>
  <dc:creator id="https://orcid.org/0000-0003-4049-3906 https://plus.cobiss.net/cobiss/sr/sr/conor/20979303">Radulović, Ksenija</dc:creator>
  <dc:source>Zbornik radova Fakulteta dramskih umetnostiAnthology of essays by Faculty of Dramatic Arts</dc:source>
  <dc:source>br. 45</dc:source>
  <dc:source>str. 29-50</dc:source>
  <dc:identifier>https://phaidrabg.bg.ac.rs/o:34580</dc:identifier>
  <dc:identifier>doi:10.18485/fdu_zr.2024.45.2</dc:identifier>
  <dc:identifier>cobiss:148067081</dc:identifier>
  <dc:identifier>ISSN: 1450-5681</dc:identifier>
  <dc:description xml:lang="srp">Apstrakt
U tekstu se bavimo recepcijom Bitefa (Beogradski internacionalni teatarski
festival) na izložbama, odnosno načinom na koji je naš vodeći međunarodni
pozorišni festival prezentovan u muzejskim i galerijskim postavkama. Tokom
više od pola veka – ne nužno jubilejskim povodima – pojedini aspekti
Bitefa predstavljeni su u izlagačkom kontekstu. U radu mapiramo ključne
izlagačke postavke na ovu temu, a kao studiju slučaja izdvajamo izložbu Svi
ekstremi Bitefa (Muzej pozorišne umetnosti Srbije 2011).
Tako postavljena tema – koja ne pripada striktno studijama pozorišta nego
ih interdisciplinarno ,,proširuje“ ka domenu muzeologije – istovremeno se
nadovezuje na prethodno sprovedeno istraživanje stručne recepcije Bitefa
koje je obuhvatalo ne-muzeološki ili izvorni Bitefov kontekst, (pozorišnu
kritiku i teatrologiju), a čiji su rezultati publikovani u izdanju Otvaranje
granica: stručna recepcija Bitefa u Srbiji (FDU 2023).</dc:description>
  <dc:description xml:lang="eng">Abstract
This text investigates how audiences engaged with the Belgrade International
Theatre Festival (BITEF) at various exhibitions, specifically examining
how this prominent international theatre festival was showcased in galleries
and museums. For over half a century, certain aspects of BITEF have been
presented in this manner, not necessarily tied to significant anniversaries.
The paper identifies key exhibition strategies, focusing on the exhibition All
BITEF&apos;s Extremes (Serbian Theatre Arts Museum, 2011) as a case study.
Although our topic extends beyond traditional theatre studies into the interdisciplinary
realm of museology, it builds upon previous research on BITEF&apos;s
professional reception in theatre criticism and theatrology. The findings of
this research were published in Otvaranje granica: stručna recepcija Bitefa
u Srbiji (FDU, 2023).
</dc:description>
</oai_dc:dc>
