
<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/">
  <dc:format>application/pdf</dc:format>
  <dc:format>337542 bytes</dc:format>
  <dc:identifier>https://phaidrabg.bg.ac.rs/o:33135</dc:identifier>
  <dc:type>info:eu-repo/semantics/bookPart</dc:type>
  <dc:rights>All rights reserved</dc:rights>
  <dc:language>eng</dc:language>
  <dc:date>2015</dc:date>
  <dc:contributor id="https://orcid.org/0000-0003-0632-9619">Šuvaković, Miško</dc:contributor>
  <dc:contributor id="https://orcid.org/0000-0002-9173-3212">Cvejić, Žarko</dc:contributor>
  <dc:contributor id="https://orcid.org/0000-0001-5913-3017">Filipović, Andrija</dc:contributor>
  <dc:subject xml:lang="eng">Key words: Kant, Rancière, sensus communis, dehumanisation of art</dc:subject>
  <dc:source>European Theories in Ex-Yugoslavia. Trans-theory Relations between Local and Global Discourses</dc:source>
  <dc:creator id="https://orcid.org/0000-0003-1325-0546">Matejić, Bojana</dc:creator>
  <dc:title xml:lang="eng">Dissensus communis : Rancière and the Dehumanisation of Art</dc:title>
  <dc:description xml:lang="eng">Abstract: Ever since Kant&apos;s third Critique, sensus communis has been political term par excellence, although Kant never explicitly dealt with political philosophy...</dc:description>
</oai_dc:dc>