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    <ns1:title language="en">Rancière: Art and the Demand for Human Emancipation</ns1:title>
    <ns1:language>en</ns1:language>
    <ns1:description language="en">Abstract: The aim of this paper is to examine the issue regarding the discrepancy between political and critical art in Rancière&apos;s theory, with the emphasis on the concept of ought-to-be / demand for human emancipation. Rancière confronts the conception of critical and political art in favor of its politicality – dissensus – since critical art, as Rancière argues, ends up being the instrument of the traditional Enlightenment program and emancipation. Such an art consolidates the social division and fails to produce the desired emancipated community...</ns1:description>
    <ns1:keyword language="en">Key words: Rancière,  the aesthetic dimension,  critical art vs. political art</ns1:keyword>
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        <ns3:firstname>Bojana</ns3:firstname>
        <ns3:lastname>Matejić</ns3:lastname>
        <ns3:institution>Fakultet likovnih umetnosti, Beograd</ns3:institution>
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    <ns12:name_magazine language="en">The Aesthetic Regime of Art: Dimensions of Rancière’s Theory</ns12:name_magazine>
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    <ns12:releaseyear>2015</ns12:releaseyear>
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