
<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/">
  <dc:language>eng</dc:language>
  <dc:subject xml:lang="eng">Key words: Yugoslav art, conceptual art,  the Praxis Group, Joseph Beuys</dc:subject>
  <dc:format>application/pdf</dc:format>
  <dc:format>137285 bytes</dc:format>
  <dc:title xml:lang="eng">The Practice of Equality?  : The Post-Pedagogy of Joseph Beuys in the Context of the Yugoslav Neo-Avant-Garde</dc:title>
  <dc:date>2017</dc:date>
  <dc:creator id="https://orcid.org/0000-0003-1325-0546">Matejić, Bojana</dc:creator>
  <dc:identifier>https://phaidrabg.bg.ac.rs/o:32845</dc:identifier>
  <dc:rights>All rights reserved</dc:rights>
  <dc:source>Die „Wende“ – Kunstsysteme nach den politischen Umbrüchen 1945 und 1989-91, Universität Leipzig</dc:source>
  <dc:type>info:eu-repo/semantics/conferenceProceedings</dc:type>
  <dc:description xml:lang="eng">Abstract: The aim of this paper is to reassess the epistemological break in the Yugoslav art world in the ase of conceptual art practices, with the focus on their cultural-political implications within...</dc:description>
</oai_dc:dc>