
<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/">
  <dc:source>Abstracts of the Free Communications, Thematic Sessions, Round Tables and Posters The 24th International Congress of Byzantine Studies Venice and Padua, 22-27 August 2022</dc:source>
  <dc:creator id="https://orcid.org/0000-0003-4691-3772 https://plus.cobiss.net/cobiss/sr/sr/conor/91396361">Mihaljević, Marina</dc:creator>
  <dc:type>info:eu-repo/semantics/conferenceProceedings</dc:type>
  <dc:date>2022</dc:date>
  <dc:identifier>https://phaidrabg.bg.ac.rs/o:32515</dc:identifier>
  <dc:identifier>doi:10.30687/978-88-6969-634-3</dc:identifier>
  <dc:language>eng</dc:language>
  <dc:title xml:lang="eng">The Role of the Patron – The Church of the Virgin Kosmosoteira in Pherrai</dc:title>
  <dc:format>application/pdf</dc:format>
  <dc:format>406097 bytes</dc:format>
  <dc:rights>All rights reserved</dc:rights>
  <dc:subject xml:lang="eng">Keywords: Serbian Medieval Architecture, Serbian monasteries, Monastic Architecture, Secular Medieval Architecture, Medieval Kitchen .</dc:subject>
  <dc:description xml:lang="eng">Abstract:
Albeit its exterior design that closely parallels the contemporaneous metropolitan architectural style, the plan and the structural scheme of the church of the Virgin Kosmosoteira in Pherrai (c. 1152) diverge from all known Constantinopolitan examples. Bearing in mind the high rank of its ktetor, the sebastokrator Isaac Komnenos, his reputation of a refined patron of arts, as well as the grandiosity of the project, this paper examines the architectural features of the church as a result of the donor’s deliberate choices to add to the spiritual mise-en-scène of his resting place.</dc:description>
</oai_dc:dc>
