
<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/">
  <dc:type>info:eu-repo/semantics/bookPart</dc:type>
  <dc:subject xml:lang="eng">Keywords: cultural diversity, cultural rights, gender equality, participation, feminist music management.</dc:subject>
  <dc:format>application/pdf</dc:format>
  <dc:format>184219 bytes</dc:format>
  <dc:source>Women&apos;s  Leadership in Music : Modes, Legacies, Alliances 63</dc:source>
  <dc:rights>All rights reserved</dc:rights>
  <dc:date>2023</dc:date>
  <dc:language>eng</dc:language>
  <dc:title xml:lang="eng">Women in Music: Possibilities and Responsibilities of Cultural Management and Policy</dc:title>
  <dc:identifier>https://phaidrabg.bg.ac.rs/o:32292</dc:identifier>
  <dc:identifier>doi:10.14361/9783839465462-011</dc:identifier>
  <dc:identifier>ISSN: of series 2703-1004e 2703-1012</dc:identifier>
  <dc:description xml:lang="eng">Abstract: Previous global research on the participation and share of women in music of the last
three decades indicates a wide spectrum of causes and dimensions of inequality and a more difficult
professional development path for them, in line with patriarchal social ideas, but also prejudices
and stereotypes about youth. Young women in the music scene of Southeastern Europe are treated
differently in comparison to their male and older counterparts, while their underrepresentation is
often explained by mobilizing the discourses stressing individuality and psychological causes. In
contrast to that, this chapter aims to discuss the reach and possibilities of cultural management and
policies to influence gender and age equality within the cultural scene in Serbia and Southeastern
Europe, as well as to contribute to a more extensive participation of women and youth in cultural
production and decision making. This chapter presents the results of the experiment conducted in
April and June 2022 when two concerts of young female musicians were conceptualized and organized
in Belgrade in the framework of “feminist music management”, based on the interviews and
focus groups with female musicians of younger generations in Serbia and the region of Southeastern
Europe throughout 2021 in both physical and virtual space. The research also comprises the analysis
of several important instruments of national cultural policy in Serbia in 2021.</dc:description>
  <dc:publisher>Transcript</dc:publisher>
  <dc:creator id="https://orcid.org/0000-0003-4506-2232">Nikolić, Tatjana</dc:creator>
  <dc:creator>Mitić Minić, Katarina</dc:creator>
</oai_dc:dc>
