
<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/">
  <dc:type>info:eu-repo/semantics/article</dc:type>
  <dc:subject xml:lang="eng">Keywords: Byzantine Architecture, Medieval Church Architecture, Originality in Byzantine Architecture </dc:subject>
  <dc:description xml:lang="eng">Abstract: We are accustomed to viewing architecture in two successive stages, planning and execution, which define the domain of two separate professions, architects and builders. The communication of visual ideas between these two parties relies on and is carried out through the medium of architectural drawing, which not only allows for a projection of imagined buildings but also provides the principal device for creating architectural forms. As described by professionals, the reconciliation of the two three-dimensional variable components-interior and exterior-depends on continuous mutual assessment through the medium of an architectural drawing.</dc:description>
  <dc:language>eng</dc:language>
  <dc:title xml:lang="eng">Change in Byzantine Architecture</dc:title>
  <dc:format>application/pdf</dc:format>
  <dc:format>3078876 bytes</dc:format>
  <dc:identifier>https://phaidrabg.bg.ac.rs/o:32215</dc:identifier>
  <dc:identifier>doi:10.4324/9781315262307-14</dc:identifier>
  <dc:source>Approaches to Byzantine Architecture and its Decoration</dc:source>
  <dc:date>2012</dc:date>
  <dc:creator id="https://orcid.org/0000-0003-4691-3772 https://plus.cobiss.net/cobiss/sr/sr/conor/91396361">Mihaljević, Marina</dc:creator>
  <dc:rights>All rights reserved</dc:rights>
</oai_dc:dc>
