o:31379 Tragom romantičarskog i sentimentalističkog duha - psihologija gubitka u delu F. Skota Ficdžeralda FOLLOWING THE ROMANTIC AND SENTIMENTAL SPIRIT – PSYCHOLOGY OF LOSS IN F. SCOTT FITZGERALD sr Sažetak: Američki modernista F. Skot Ficdžerald je kao pisac značajno koristio sopstveno iskustvo da bi dobio uvid u društvo kao celinu. On u svom opusu prikazuje različite obrasce tugovanja koji datiraju još iz njegovog detinjstva, a ove okolnosti doprinose njegovim književnim uvidima u kulturološke norme tugovanja. Rad nastoji da istakne biografske reference koje vezujemo za autorov specifični osećaj gubitka prisutan u njegovom doživljaju sveta oko sebe, koje potom stavlja u kontekst psihoanalitičke teorije. Tako S ove strane raja povezuje teškoće Amorijevog sazrevanja sa odrastanjem u društvu koje slepo veruje u ideju viktorijanskog progresa i odbija čin tugovanja. Naposletku, Amori odrasta identifikujući se sa romantičarskim muževnim i sentimentalnim ženstvenim kodom tugovanja – protivstrujama gubitka unutar dominantne kulture. U Poslednjem magnatu, Ficdžeraldov alter ego Monro Star pokušava da se pomiri sa obrascima gubitka u svetu oko sebe, tugujući za jednom aristokratskom prošlošću čija mu je ideja nasleđem predata. Star tako sagledava filmsku industriju kao ujedinjujuću snagu društva. Na taj način, kao odraz književnih nastojanja svoga tvorca, on promoviše kreativnost i empatiju kao važne elemente procesa isceljenja. Abstract: American modernist F. Scott Fitgerald was a writer who analyzed his own life for insight into his society as a whole. Fitzgerald wrote about a variety of different mourning patterns from his childhood and these circumstances contributed to his literary insights into cultural mourning norms. The paper aims at presenting biographical references we link to the specific feeling of loss evident in his experience of the world around him, only to put these references into the context of psychoanalytical theory. Thus, This Side of Paradise links Amory's difficulty in progressing into maturity with his upbringing in a society where people blindly believe in Victorian progress and resist the act of mourning. Ultimately, Amory matures by learning how to grieve, identifying with his father’s romantic masculine and his mother’s sentimental feminine modes of mourning – crosscurrents of loss within the dominant culture. In The Last Tycoon, Fitzgerald’s alter ego Monroe Stahr attempts to cope with loss in the world around him, while mourning for an aristocratic past formerly sealed off to him. Stahr envisions the motion picture industry as a unifying force in society. In effect, in a reflection of his creator’s literary efforts, he promotes creativity and empathy as important elements in the healing process. Ključne reči: Romantizam; sentimentalizam; empatija; kreativnost; umetnost. Keywords: romanticism, sentimentalism, empathy, creativity, art. 1552099 10.5937/NPDUNP2002107M 1552101 2619-998X 2023-10-23T12:43:22.021Z 44 no 46 Azra Mušović A. Državni univerzitet u Novom Pazaru 6853479 0000-0003-2331-0952 application/pdf 655804 https://phaidrabg.bg.ac.rs/o:31379 no yes 16 70 92000002 20A01 NAUČNE PUBLIKACIJE DRŽAVNOG UNIVERZITETA U NOVOM PAZARU Serija B: Društvene & humanističke nauke, Oktobar 2020. 3 2 107 120 2020