
<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/">
  <dc:type>info:eu-repo/semantics/bookPart</dc:type>
  <dc:language>eng</dc:language>
  <dc:date>2013</dc:date>
  <dc:format>application/pdf</dc:format>
  <dc:format>736528 bytes</dc:format>
  <dc:rights>All rights reserved</dc:rights>
  <dc:source>Cronotopi slavi – Studi in onore di Marija Mitrović</dc:source>
  <dc:identifier>https://phaidrabg.bg.ac.rs/o:30897</dc:identifier>
  <dc:creator id="https://orcid.org/0000-0002-8299-2458">Todorović, Jelena</dc:creator>
  <dc:description xml:lang="eng">Abstract: Beginning with the earliest examples of collecting and consequently the possession of a collection, embedded in itself the plurality of narratives – the ideological, collective and personal ones. From the earliest Wunderkammers of Ferrante Imperato,Maximilian I, Rudolph II, Lorenzo il Magnificoand later Francesco I Medici, John Tradescant and Aldrovandi the desired aim was to rep-licate the image of the world and make it one’s own...</dc:description>
  <dc:title xml:lang="eng">A Personal Microcosm :  The Collection as Identity of Eugenio Popovich</dc:title>
  <dc:subject xml:lang="eng">Key words: collection of Eugenio Popovich, wunderkammer, </dc:subject>
</oai_dc:dc>