o:30612 Representing Trauma - Writing the Past Into the Present Through Films en Cinematic attempts to tell the story of historical mass violence and trauma in former Yugoslavia are often steeped in political controversy. The article discusses two recent films – ‘Dara of Jasenovac’ (Serbia, 2020) and ‘Quo vadis, Aida?’ (Bosnia-Herzegovina, 2020) – and the public reactions to them. While both films share certain features such as looking at historical horrors and inter-ethnic violence from a female perspective, they differ remarkably in style as well as in how they were received in Serbia and beyond. Serbien; Konzentrationslager Jasenovac; Massaker von Srebrenica; Kollektives Gedächtnis; Historischer Film 1552099 DOI: 10.25626/0136 2023-08-18T08:53:58.480Z 44 yes 46 Nevena Daković Fakultet dramskih umetnosti u Beogradu 1903207 0000-0001-9704-0727 application/pdf 845942 https://phaidrabg.bg.ac.rs/o:30612 no yes 1 70 92000001 111A01 Cultures of History Forum Herder-Institut für historische Ostmitteleuropaforschung – Institut der Leibniz-Gemeinschaft 2022