
<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/">
  <dc:date>2015</dc:date>
  <dc:type>info:eu-repo/semantics/article</dc:type>
  <dc:identifier>https://phaidrabg.bg.ac.rs/o:30443</dc:identifier>
  <dc:identifier>doi:10.2298/FID1502392F</dc:identifier>
  <dc:identifier>ISSN: 0353-5738</dc:identifier>
  <dc:source>Filozofija i drustvo 26(2)</dc:source>
  <dc:description xml:lang="srp">Apstrakt:   Ideja odnosa umetnosti i života kao postajanja umetnosti životom posledica je specifičnih modernih kretanja u rasponu od prosvetiteljstva do kapitalizma. Ovaj sklop mišljenja i prakse prisu tan je u jednom od dominantni jih umetničkih oblika da nas i zadtak ovog rada je da preispita trenut no stanje stvari u umetnosti s obzirom na to da je ono simptom globalnog društva kontrole. Umet nost kao emancipacijska umetnost sa jedne strane podra zumeva desupstanci jalizaciju i deesencijali zaciju biopolitički oblikovanog života i kategorije čoveka, a sa druge pretpostavlja novi generički inhu manum (kod Badjua) odnosno na rod koji će doći (kod Deleza) kao osnove političnosti. Otuda emanci pacijska umetnost mora da se oslobodi ljudskog da bi dospela do onoga što leži izvan sadašnjeg demokratskog materijalizma.</dc:description>
  <dc:description xml:lang="eng">Abstract: The idea of the relation between art and life as becoming-life of art is a con-sequence of specific modern developments ranging from the Enlightenment to capitalism. This assemblage of thought and practice is present in one of the most dominant art forms today, and the task of this paper is to reassess the current state of affairs in art considering that the current state of affairs in art is a symptom of the global society of control. In order to be emancipa-tory art, on the one hand, Art presupposes de-substantialization and de-essentialization of the biopolitically formed life and the category of Man, while on the other hand it also presupposes a new „generic in-humanum“ (in Badiou), that is, a people to come (in Deleuze) as the basis of politicity. Hence, emancipatory art needs to break away with the human in order to reach that which is beyond the current democratic materialism.</dc:description>
  <dc:format>application/pdf</dc:format>
  <dc:format>279250 bytes</dc:format>
  <dc:title xml:lang="srp">Umetnost=život? Delez, Badju i ontologija ljudskog</dc:title>
  <dc:creator id="https://orcid.org/0000-0003-1325-0546">Matejić, Bojana</dc:creator>
  <dc:subject xml:lang="srp">Ključne reči: Badju, Delez, ontologija, život, umetnost, ljudsko, biopolitika</dc:subject>
  <dc:subject xml:lang="eng">Keywords: Badiou, Deleuze, ontology, life, art, human, biopolitics</dc:subject>
  <dc:rights>All rights reserved</dc:rights>
  <dc:language>srp</dc:language>
</oai_dc:dc>