
<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/">
  <dc:identifier>https://phaidrabg.bg.ac.rs/o:30423</dc:identifier>
  <dc:language>srp</dc:language>
  <dc:type>info:eu-repo/semantics/article</dc:type>
  <dc:source>New Contemporary Challenges – Opportunities for Integrating Innovative Solutions into 21st Century Education</dc:source>
  <dc:format>application/pdf</dc:format>
  <dc:format>724548 bytes</dc:format>
  <dc:creator id="https://orcid.org/0000-0002-9105-9221">Станивуковић, Јелена</dc:creator>
  <dc:date>2022</dc:date>
  <dc:publisher>Ljubljana: EDUvision</dc:publisher>
  <dc:rights>All rights reserved</dc:rights>
  <dc:description xml:lang="srp">Rezime:
Muzičko stvaralaštvo podrazumeva svaki vid stvaralaštva koji je povezan sa muzikom. Pored zadataka
u oblasti stvaralaštva na osnovnom i srednjem nivou – kao što su improvizacija ritma, osmišljavanje
serije pokreta uz muziku, muzičke/ritmičke dopunjalke itd. trebalo bi posebnu pažnju posvetiti zadacima
naprednog nivoa, kao što su: muzička pitanja i odgovori, osmišljavanje melodije od ponuđenih taktova...
Naše istraživanje je pokazalo da su zadaci u udžbenicima za četvrti razred jednako raspoređeni prema
osnovnom, srednjem i naprednom nivou i došli smo do zaključka da ne postoje statistički značajne
razlike između udžbenika različitih izdavača kada su u pitanju nivoi stvaralaštva. Dodatni istraživački
nalazi doveli su do zaključka da udžbenici izdavača Klett, Novi Logos, Kreativni centar i Zavod za
udžbenike zaista prate uniformnu raspodelu. Sa druge strane, zadaci u oblasti stvaralaštva u udžbeniku
izdavača Eduka značajno odstupaju od uniformne raspodele, odnosno zadataka osnovnog nivoa ima
statistički značajno više od očekivanog. Takođe, pretpostavili smo da je korišćenje digitalnih udžbenika
u nastavi unelo pozitivan pomak u radu na stvaralaštvu, iako bi trebalo dodatnu pažnju usmeriti na
pisanje metodičke literature kao i dodatno raditi na osnaživanju postojećih učiteljskih muzičkih
sposobnosti prilikom izvođenja nastave muzičke kulture u oblasti stvaralaštva, što je naše istraživanje i
potvrdilo. S obzirom na to da se u četvrtom razredu mnogo vremena posvećuje muzičkom
opismenjavanju učenika, razumljivo je što u odobrenim digitalnim udžbenicima muzičke kulture za
četvrti razred nema više zadataka iz oblasti muzičkog stvaralaštva. Samim tim, uloga učitelja je veća,
pošto su učitelji ti koji treba da osmisle kako da na svakom času muzičke kulture (održava se jedan čas
nedeljno) bude zastupljen (najmanje) jedan od vidova stvaralaštva primeren uzrastu.
</dc:description>
  <dc:description xml:lang="eng">Abstract:
Musical creativity includes all types of creative activities intertwined with music. In addition to the tasks
at the elementary and intermediate level of creativity – for example rhythm improvisation, designing a
series of movements in accordance with the music, musical/rhythmic complements, etc. teachers should
pay special attention to tasks of an advanced level, such as: musical questions and answers, creating a
melody from the provided measures... Our research has shown that the tasks in the textbooks are equally
distributed according to elementary, intermediate and advanced levels of creativity, and we have come
to the conclusion that there are no statistically significant differences between textbooks from different
publishers. Additional research findings led to the conclusion that the textbooks of the publishers Klett,
Novi Logos, Kreativni centar and Zavod za udžbenike really follow a uniform distribution. On the other
hand, the tasks in the field of creativity in the textbook of Eduka publisher deviate significantly from
the uniform distribution – there are statistically significantly more tasks at the elementary level than
expected. Moreover, we assumed that the use of the digital textbooks in teaching Music Education
70
brought a positive shift in the work on musical creativity, although additional attention should be
directed to writing methodical literature in order to give assistance to the teachers and also work
additionally on strengthening the existing teachers&apos; musical abilities in the teaching of Music Education
in the field of creativity, which our research confirmed. Considering that a lot of time in the fourth grade
is devoted to achieving the musical literacy of pupils, it is understandable that there are no more tasks
in the field of musical creativity in the approved digital textbooks of Music Education for the fourth
grade. Consequently, the teacher’s role is greater, since it is the teacher who needs to devise how to
represent (at least) one of the age-appropriate forms of creativity in each Music Education lesson (one
class is held per week).
</dc:description>
  <dc:title xml:lang="srp">Muzičko stvaralaštvo u digitalnim udžbenicima muzičke kulture za 4. razred osnovne škole</dc:title>
  <dc:title xml:lang="eng">Musical creativity in digital textbooks of music education for the 4th grade of elementary school</dc:title>
  <dc:subject xml:lang="srp">Ključne reči: digitalni udžbenik muzičke kulture, muzičko stvaralaštvo, nastava muzičke kulture, nivoi stvaralaštva, učitelji u nižim razredima osnovne škole.</dc:subject>
  <dc:subject xml:lang="eng">Key words: digital textbook of music education, early primary school teachers, educational standards of musical creativity musical creativity, teaching music educ</dc:subject>
</oai_dc:dc>
