
<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/">
  <dc:date>2020</dc:date>
  <dc:creator id="https://orcid.org/0000-0003-1325-0546">Matejić, Bojana</dc:creator>
  <dc:description xml:lang="eng">Abstract: ‘Shaping one’s life artistically’ implies the principle ‘I live as an artist when all my actions, and my expression in general, in connection with any content whatever, remain for me a mere show and assume a shape which is wholly within my power’ (Hegel). Drawing on Hegel, the ‘young’ Marx advocated ‘production in accordance with the laws of Beauty’ (‘artistic work/life’), as a kind of work which, inasmuch as it was ‘free’, provided a model for the elucidation of the presupposition of human emancipation. ‘True Art’ appears to be work performed under the umbrella of a ‘free community’, where the division between masters and slaves, working class and capitalists, emancipators and emancipated, is abolished. Does the conception of ‘living artistically’ (still) have a critical emancipatory value, and how can it be formulated under the conditions of a global market economy and post-Fordism, where every critical act, event and activity is appropriated?</dc:description>
  <dc:subject xml:lang="eng">Key words: Bojana Matejić, labour, beauty, artistic life, post-Fordism, community, emancipation, Karl Marx,  Danko Grlić, Jacques Lacan</dc:subject>
  <dc:source>Third Text 34(165)</dc:source>
  <dc:title xml:lang="eng">‘Living Artistically’ under Post-Fordist Conditions</dc:title>
  <dc:format>application/pdf</dc:format>
  <dc:format>196180 bytes</dc:format>
  <dc:language>eng</dc:language>
  <dc:type>info:eu-repo/semantics/article</dc:type>
  <dc:identifier>https://phaidrabg.bg.ac.rs/o:30294</dc:identifier>
  <dc:identifier>doi:10.1080/09528822.2020.1833513</dc:identifier>
  <dc:identifier>ISSN: 1475-5297 </dc:identifier>
  <dc:rights>All rights reserved</dc:rights>
</oai_dc:dc>
