
<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/">
  <dc:subject xml:lang="srp">Ključne reči radio, Studio B, Beograd, transmedijalno iskustvo, Dušan Radović</dc:subject>
  <dc:subject xml:lang="eng">Keywords Radio, Studio B, Belgrade, transmedial experience, Dusan Radović</dc:subject>
  <dc:type>info:eu-repo/semantics/article</dc:type>
  <dc:description xml:lang="srp">Apstrakt
Godine 2020, Radio Studio B obeležio je 50 godina od osnivanja. Reč je o
mediju koji je u smislu programsko-produkcionih osobenosti, kritičkog odnosa
prema socijalističkoj realnosti sa elementima subverzivnosti, bio jedinstven
i autentičan u srpskom i jugoslovenskom društvu. Osnovni cilj rada je
da specifičnost Studija B tumači kroz unikatnost angažovanih i zaposlenih
u ovoj stanici, ljude koji su svoja bogata iskustva, mahom vezana za neke
druge umetničke ili naučne oblasti, spojili s jezikom i izražajnim formama
radija i doneli nove vrednosti slušaocima. Reč je o markantnim autorima
koji su tokom „zlatnog doba” ove radio-stanice, sedamdesetih i osamdesetih
godina, snažno obeležili njegov program i dali neizbrisiv doprinos razvoju
radio-difuzije u Srbiji. Centralno mesto pripada analizi rada Dušana Duška
Radovića, pesnika, književnika, aforističara; prezentera i tumača stvarnosti
koji se u „smutnim” vremenima povukao kako bi „svoj radio” zaštitio od političkih pritisaka. Uz prikaz njegovog doprinosa društvenom i programskom
pozicioniranju Studija B, u radu su predstavljene aktivnosti u kreiranju programa
Studija B: Slobodana Konjovića, muzičara i vođe eksperimentalnog
benda Kozmetika; glumaca Ivana Bekjareva, Ljerke Draženović, Zorana
Milosavljevića i Rade Đuričin; Žikice Simića, psihologa; Zorana Modlija,
pilota i instruktora letenja; Petra Marša, mašinskog inženjera i književnika;
Marka Jankovića, studenta Bogoslovskog fakulteta i alumnija Prirodno-matematičkog
fakulteta i drugih. Zahvaljujući iskustvima u različitim oblastima
i medijima, navedeni autori su svojim radom i angažovanjem dali vrlo značajan doprinos konceptualizaciji i profilisanju Studija B kao najznačajnijeg
alternativnog, građanskog i progresivnog medija u Srbiji, 80-tih godina XX veka.</dc:description>
  <dc:description xml:lang="eng">Abstract
In 2020 Radio Studio B marked its 50th anniversary. It is a medium that has been unique and authentic in Serbian and Yugoslav society in terms of program-
production features, critical attitude towards socialist reality and with elements of subversiveness. The main goal of the paper is to interpret the specificity
of Studio B through the uniqueness of those engaged and employed in this radio station, people who combined their rich experiences, mostly related
to some other artistic or scientific fields, with language and expressive forms of
radio and in doing this brought new values to the listeners. These are prominent authors who, during the “golden age” of this radio station, in the 70’s and
80’s, strongly marked its program and made an indelible contribution to the development of broadcasting in Serbia. The central place in this work belongs to the analysis of the work of Dušan Duško Radović, poet, writer, aphorist; a
presenter of reality who withdrew in “troubled” times to protect Studio B from
political pressure. Along with the presentation of his contribution to the social
and program positioning of Studio B, the paper presents the activities of other relevant actors in creating the program of Studio B: Slobodan Sloba Konjović, musician and leader of the alternative band Cosmetics; actors Ivan Bekjarev, Ljerka Draženović, Zoran Milosavljević and Rada Đuričin; Žikica Simić, psychologist;
Zoran Modli, pilot and flight instructor; Petar Marš, mechanical engineer and writer; Marko Janković, student of the Faculty of Theology and
alumni of the Faculty of Mathematics etc. Thanks to their experiences in various
fields and media, these authors have made a significant contribution to the
conceptualization and profiling of Studio B as the most important alternative, civil and progressive media in Serbia, during the 80’s of the XX century.
</dc:description>
  <dc:format>application/pdf</dc:format>
  <dc:format>184312 bytes</dc:format>
  <dc:identifier>https://phaidrabg.bg.ac.rs/o:29250</dc:identifier>
  <dc:identifier>doi:10.18485/fdu_zr.2022.41.4</dc:identifier>
  <dc:identifier>cobiss:68006153</dc:identifier>
  <dc:identifier>ISSN: 1450-5681</dc:identifier>
  <dc:date>2021</dc:date>
  <dc:language>srp</dc:language>
  <dc:creator id="https://orcid.org/0000-0001-6133-9022 https://plus.cobiss.net/cobiss/sr/sr/conor/7054695">Nikolić, Mirjana</dc:creator>
  <dc:creator>Ćirić, Una</dc:creator>
  <dc:publisher>Fakultet dramskih umetnosti u Beogradu</dc:publisher>
  <dc:title xml:lang="srp">Transmedijska iskustva autora u funkciji kreiranja identiteta Radija Studio B</dc:title>
  <dc:title xml:lang="eng">Authors’ transmedial experiences in the function of creating the identity of Radio Studio B </dc:title>
  <dc:source>Zbornik radova Fakulteta dramskih umetnostiAnthology of essays by Faculty of Dramatic Arts(41)</dc:source>
  <dc:rights>All rights reserved</dc:rights>
</oai_dc:dc>
