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    <ns1:title language="en">Prolonged engagement with a boy, a 35-cm length of spaghetti, and a 35-second video</ns1:title>
    <ns1:language>en</ns1:language>
    <ns1:description language="en">There is nothing unusual when mothers film their adorable
children, but when the mother is also an art teacher, she can
capture remarkable moments in her child’s play with materials.
There is nothing extraordinary when students studying early
childhood education (ECE) analyze videos. However, when one
20- to 60-second video replaces 10 days (270,000 seconds) of
practical training in a nursery school, the opportunity for slow and
repetitive analysis of a child’s play with materials could facilitate
deep connections through “prolonged engagement” (Bresler, 2006,
p. 56) and new insights into explorative material play. There is
nothing new about teacher educators collaborating across Europe,
but when the surging pandemic required extraordinary creativity
in the spring of 2020, we—two art teachers in ECE in Serbia and
Norway—improvised by teaching with what we had on hand: short
videos of the first author’s son that simulated what might take place
in a nursery school.</ns1:description>
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      <ns2:identifier>10.1080/00043125.2021.2009280</ns2:identifier>
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        <ns3:firstname>Ана </ns3:firstname>
        <ns3:lastname>Сарвановић</ns3:lastname>
        <ns3:institution>Универзитет у Београду Учитељски факултет</ns3:institution>
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  <ns12:digitalbook>
    <ns12:name_magazine language="en">Art Education</ns12:name_magazine>
    <ns12:volume>75</ns12:volume>
    <ns12:from_page>50</ns12:from_page>
    <ns12:to_page>52</ns12:to_page>
    <ns12:publisher>Taylor and Francis Group</ns12:publisher>
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